The project of Albokrinova addresses the phenomena of communal art (Zhek-art) as a mean to search for and obtain an individual utopia throught the practices of "marginal" creativity in public space.
In authors' opinion, the forms and compositions of Zhek-art refer to the concept of heavenly garden. There the flowers never fade, the wolf doesn't eat the lamb, the folk characters, mythic creatures and wondrous animals are ever-alive. Replaying the act of creation of Zhek-art the artist hopes to get into that alternative space, where the grey reality of a post-soviet city becomes the soil for the "heavenly gardens' to blossom, and into the alternative time, where social routines and reflections on ones' personal destiny are redeemed.

"Paradise Plastic" project is presented in the form of a show-room with typical objects of Zhek-art, instructions on how to create them. Thus, each visitor could, using the raw material and the guide, start creating ones' personal paradise. The form of a show-room appropriates "people's art" and envelops it in a sexy package of commercial design. It also brings the discourse about the Zhek-art phenomena on a conceptual level and puts its demiurgical intentions on top of the commonly seen "decorative" ones, that exist the border of private and public spaces.